Sony Reviews
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- For use in Hi8 or digital 8 camcorders
- 120-minute tape length
List price: $5.99 (that's 17% off!)
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Its a sony product
- Single pack with jewel case
- Perfect for creating, editing and archiving family movies and digital photos.
- 4.7GB; more than 2 hours of MPEG2 video
- Playback compatible with most DVD players and DVD-ROM drives
- Note from Sony: all recorded DVDs may not be playback compatible with some older and/or entry level DVD systems.
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- 4.7GB translates to 120 minutes of MPEG2 video
- 7 times the storage of a CD-R disc
- One-time recording
- Inexpensive way to record data
- Single disc with jewel case
List price: $12.99 (that's 46% off!)
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- NP-FS11 Battery Compatibility Digital Cameras DSC-F505V DSC-P30 DSC-P50 Camcorders DCR-PC5
- 1071949
- 1016
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DO NOT BUY FROM THIS SELLER
- InfoLITHIUM: Yes
- Super Quick Charge: No
- Maximum Output Voltage: DC 8.4V
- Mean Output Voltage: DC 7.2V
- Capacity 4.8Wh / 675mAh
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- Imaging Device: 3-1/3-inch 380K Pixel Advanced HAD CCD
- Video Actual: 340K Pixels per Imager
- Still Actual: 340K Pixels
- F: 1.6 - 2.4
- Focal Distance: 6.0 - 72mm
List price: $3,049.99 (that's NaN% off!)

The Sony!- Beat the GL2
- Tie with the XL1s
- Beat the DVX100a
To go more in depth, let's start with the GL2. While this is one heck of an affordable, broadcast-quality machine, it mainly loses to the VX2100 in terms of low-light conditions. This is really where the Sony shines - low-light shooting. A popular breakdown of the VX2100 vs. the GL2 is that the VX2100 works better in low light, and the GL2 has a more powerful zoom. That pretty much is what it comes down to. The GL2 has a "frame mode," in which you get 30 frames/second non-interlaced video. The idea behind this is to equate to the popular, on-demand 24p, to get that "film look." Such a look is only important if you plan on doing actual movies, and unfortunately, the GL2's frame mode simply isn't that great. Aside from that, when you later edit your shots, there's tons of programs and plug-ins which will do the same thing - but better.
Now, the XL1s. I know I've used the word "simply" a lot in this review, and that's primarily because I want to make the comparisons simple. When one goes to taste a Coke and a Pepsi, it would be useless to make a pro and con list to decide which tastes better... to you. Instead, you just pick the one you like, and continue drinking - and you probably wouldn't mind the other brand next time (ok, maybe not all of you). Anyways, the point being all of these cameras will give you an excellent picture, and they'll all do a bunch of extra things. If you're a serious, professional videographer, then it is recommended you compare long specifications lists to see which better meet your needs. On the other hand, if you're like me and just want something that will shoot family and non-planned out footage, these will all do great. And when you go to shoot a movie, wedding, documentary or whatever it is you're doing professionally, these cameras will continue to impress you.
Ok, about that XL1s. This camera has been used in movies - 28 Days Later, TV shows - pretty much the entire MTV line-up, commercials - that Jerry Seinfeld American Express one, etc. Needless to say, this is a very impressive camera. Not only is it significantly larger than the others, but its most sought after feature is the fact that the lenses are interchangeable. What's not frequently mentioned is the fact that these lenses cost upwards of $600/pop. Of course, the XL1s has some more professional features to justify the price jump from the GL2 - those of which you can read about on those spec sheets I mentioned earlier.
And finally, onto the "Panny," or the Panasonic DVX100a. This camera has a whole several-thousand member online discussion forum for it. That should tell you how much people love this camcorder. I think it's nice, myself. Don't know how much I love it. I know what everyone loves about it is the fact that it does 24p perfectly - that's the aforementioned "film effect" feature. The problem is, when you compare its other features to the VX2100, the Sony is the better camcorder. And don't forget you can still get a "film effect" when you go to edit your video.
So, all in all, these are the camcorders which are all in somewhat of a similar price range. I know I've considered all four of these, which is why I wanted to share what I found for that other guy who wants to know the same thing. You probably still want to check out some other places for reviews, which is highly recommended. Like I said, I spent 4 weeks doing what you're doing now, and I ended up with the VX2100. Take that for what it's worth.
See ya in the funny pages!

- DLC (Diamond Like Carbon) protective layer for extra durability
- High dimensional precision for compatibility by reducing tape-shrinkage over time to about 1/2 that of consumer DV tape
- New protective locking album case specifically designed for DVCAM cassettes
- Integrated 16K Memory Chip
- Length - 124 Minutes

- 690,000 Pixel Video and 1,000,000 Pixel still resolution
- 1152 x 864, 640 x 480 still image res
- Full Range Auto/Manual Focus modes
- Maqnual and AutoExposure modes
- Size (WHD) - 3 x 3 3/4 x 6 1/2

- 2.5 LCD monitor (123K)
- Touch Panel function
- Super SteadyShot(R)
- USB terminal and streaming
- Includes PC application accessory, USB cable, driver software, ImageMixer, NPFM30 Battery

- Up to 500 lines of horizontal resolution
- Records digital video and audio on a standard 8mm or Hi-8 tape
- 20x Optical and 560x Digital Zoom
- SteadyShot Picture Stabilization System
- i.Link Firewire DV Interface (IEEE-1394)