Camcorder Reviews

Great camera when I first got it, I felt like I had got something really good - so I should have, it cost me a whole load of cash.

Just after the warranty had expired, I find out the hard way that the whole line of Canon camcorders have a serious problem with the tape transport system causing the warning message "REMOVE THE CASSETTE" appearing in big red letters on the LCD. Camera will not function until expensive repairs have been carried out.(...)

Pros: Excellent image quality and color fidelity; 20X optical zoom; two-channel audio control; 1.7-megapixel still image capture; lightweight.

Cons: Too many controls per button; onboard microphone is omnidirectional; mediocre battery life with included cell.

Summary: An ok camera, just not what I expected. I own a Sony VX2000 and PD-150 we use in video production of homes for sale. We bought the GL2 because of the fact it was about a half pound lighter and a little smaller than the Sony cameras. The first problem is when you attache the small 3 watt Canon light, the drain on the battery is too great and shuts down the camer before the battery is one half way drained. Even with the biggest battery that Canon makes the battery life is short with their fill light. The second problem was when the telephoto zoom button failed after 70 minutes of use, making the auto zoom function useless. Now I must send the camera back to Canon only after 20 days of use. The mail order place would only take it back within 15 days. The third problem is the low light noise is a little worse on the camera when compared to the Sony VX2000 or Sony PD-150. It is not a big difference, but it is noticeable. I never had a reason to mail in a Sony camera for repairs, even after years of use. It's a dissapointment to have a new camera fail in so many ways

I own this camera, and it's my best friend. Well not really, but it's the most amazing camera I've ever had. You get what you pay for, and you get a lot from this camera.

This is however, NOT a camera that the general public should buy. It's far to expensive, and really wouldn't be worth it to someone who will be using this for filming say a birthday party. There are many features on this camera, which make it as wonderful as it is, but these features would likely be unused by someone new to video cameras. So if you are in this boat, save your money and get a different camera.

What's great about it? The image quality is better than anything I've seen before. With 3CCD, it's good. Unlike the XL-1S, the GL2 has a 2.5 inch color LCD. However, I rarely use this. It takes up more battery power, and you can't see it when there's sunlight. I love the audio controls, and how it's not only stereo microphone, but you can control the levels of your left and right audio, right there, on the camera. I love to convert analogue video into digitial video, and it's almost too easy using the GL2. It's great for getting your older stuff into a digital format, and being able to easily get it onto your computer.

What's bad about it? Really not a whole lot. The 1.7-megapixel photo mode is really uneeded. 1.7-megapixels really isn't that good. The included 8MB card for these pictures isn't enough. If you're going to want to take digital pictures, then get a digital still camera, and don't use the GL2 as a still camera.

But I can't stress enough that if you aren't going to use this for more professional projects, then you really shouldn't get this camera.

I have been using the GL1 for nearly 3 years now. I take it out on shoots for a website I work on... sometimes I create QuickTime Movies, sometimes I take stills from footage and convert the stills to .JPG files.

The 30-lux capacity means you can walk into a subdued lighting environment such as a dining room lit by a single candle and get very good, balanced exposure. It is not like an infrared camera or anything, however... there must be SOME non infrared light, or you get nothing.

The 30x zoom can't be beat. You can be 50 yards away from a person and zoom in and get a shot of their nose... in many ways, it must be seen to be appreciated.

Considering the features, the unit is light-weight, but newer digital camcorders of similar strengths are now on the market for far less and weigh half as much. Still, the GL1 is easy to hold with one hand while using the eye piece or the LCD panel.

I only have a few criticisms. For one, the unit does not ship with a firewire cable. If you are ordering this item for its firewire compatibility, you will need to order a 6-to-4 pin firewire cable separately. (6-pin for your Mac, 4-pin for the GL1).

Also, the GL1 has a tendency to eat tapes. For a while, I thought I was just getting deffective tapes, but a co-worker got a DV deck and the deck was able to view and use the tapes without difficulty. Just viewing the tapes on the DV deck seemed to "fix" whatever the GL1 perceive was wrong with the tapes. On occasion I will get an all red "WARNING: EJECT TAPE" display on the LCD panel... I then eject the tape, rewind it a bit on the DV deck and then I can use it fine for several weeks w/ the GL1. This has been a problem from day one and I have head-cleaning tapes.

The unit has a tripod screw mount on the bottom and a hot shoe on top, so it's a good piece of hardware for professionals.

The battery that ships with the unit will only run for about 30 minutes on a full charge... but that's 30 minutes of actual recording, rewinding, etc. I highly recommend getting an additional 2 hour battery as back-up, especially if you're stuck somewhere and don't have the luxury of having an AC wall socket nearby. You can run the camera straight off AC power, but it is awkward... you must run the cord from the GL1 to the charger and the charger is then plugged into the wall. This extra cord does not come with the unit and you must buy it separately. It would have been nice if they had included this cord as well as a DC charger for the car.

Back when I was ordering this item, I spoke with Canon directly to ask them information about the firewire capabilities, etc. Afer speaking to a customer service rep. for over 1 hour, it was obvious that the folks answering the phones for Canon absolutely know NOTHING about their own products or terminology used in photography or videography... if the answers are not in the little book in front of them, they are worse than uninformed... they tell you the wrong information. If you want more information about the features of this camera, seriously examine the specs featured here on Amazon and read all of the reviews.

I bought this camera about 10 months back, and at the time made a compromise in choosing it because I couldn't afford the XL1S. What I've learned though after using it for so long now is that Canon didn't compromise on this camera. The GL1 has essentially every feature the aspiring film maker or video professional needs to get underway quickly and easily.

My favorite feature of this camera is the frame mode ability that allows you to shoot non-interlaced video, with results that are very similar in appearance to film rather than video. After shooting in frame mode and seeing the results, I've yet to shoot interlaced video again.

The one thing that this camera lacks is any ability to manually control the audio levels for the internal or external mics, which can sometimes give you less than optimal results in situations where the noise volume fluctuates noticably, or where you are trying to achieve a specific audio effect.

Summary - Excellent camera worth the price tag. Across the board, far more features and better quality than all competitors in its class. Probabaly the only camera that can top the GL1 in this class is the GL2.

First, the visceral. The image quality is stunning, and the creative license and possibilities afforded through DV are staggering. With a GL1 and a good NLE like Premiere, the only limit is your creativity. Effects that just a few years ago started at tens of thousands of dollars on film can now be rendered realtime.

Now the practical. I spent a fair bit of time looking through the market at the 'low pro' end. Canon's GL1 and XL1 were clearly in the running, as were several Sony products. What finally sold me on the GL1 was the flourite lens, which to my eye has a noticeably brighter image, as well as the optical image stabilization, which provides a more natural looking view also. I have to say that I find the manual zoom feature useless as it's a servo controlled focus rate, and very difficult to 'stop' in a slow focus. I've found that using the 'automatic/manual' focus switch to allow the camera to bring the subject into focus, then switching immediately to 'manual' to lock the focus is very effective as a workaround. The only time this doesn't work well is at the limit of either the optical focus or the digital focus when the subject is poorly defined versus its background. In these situations, the rangefinding system seems to 'hunt', giving a nauseating soft in/out blur. Truthfully, using the camera under these cirucumstances is rare, and this is the only criticism I've got for the system. An often overlooked feature of DV is that the audio quality is about the same as CD, and is digital. This means that even your home movies now have DAT audio quality! Despite many comments to the contrary, I've been very favourably impressed with the quality of the audio, including the stereo separation.

I also mentioned the XL1, but the only difference I could see was perhaps better audio, and for the considerable extra expense and size, it wasn't a good tradeoff for me.