Digital-Camcorder Reviews

Great camera when I first got it, I felt like I had got something really good - so I should have, it cost me a whole load of cash.

Just after the warranty had expired, I find out the hard way that the whole line of Canon camcorders have a serious problem with the tape transport system causing the warning message "REMOVE THE CASSETTE" appearing in big red letters on the LCD. Camera will not function until expensive repairs have been carried out.(...)

Pros: Excellent image quality and color fidelity; 20X optical zoom; two-channel audio control; 1.7-megapixel still image capture; lightweight.

Cons: Too many controls per button; onboard microphone is omnidirectional; mediocre battery life with included cell.

Summary: An ok camera, just not what I expected. I own a Sony VX2000 and PD-150 we use in video production of homes for sale. We bought the GL2 because of the fact it was about a half pound lighter and a little smaller than the Sony cameras. The first problem is when you attache the small 3 watt Canon light, the drain on the battery is too great and shuts down the camer before the battery is one half way drained. Even with the biggest battery that Canon makes the battery life is short with their fill light. The second problem was when the telephoto zoom button failed after 70 minutes of use, making the auto zoom function useless. Now I must send the camera back to Canon only after 20 days of use. The mail order place would only take it back within 15 days. The third problem is the low light noise is a little worse on the camera when compared to the Sony VX2000 or Sony PD-150. It is not a big difference, but it is noticeable. I never had a reason to mail in a Sony camera for repairs, even after years of use. It's a dissapointment to have a new camera fail in so many ways

I own this camera, and it's my best friend. Well not really, but it's the most amazing camera I've ever had. You get what you pay for, and you get a lot from this camera.

This is however, NOT a camera that the general public should buy. It's far to expensive, and really wouldn't be worth it to someone who will be using this for filming say a birthday party. There are many features on this camera, which make it as wonderful as it is, but these features would likely be unused by someone new to video cameras. So if you are in this boat, save your money and get a different camera.

What's great about it? The image quality is better than anything I've seen before. With 3CCD, it's good. Unlike the XL-1S, the GL2 has a 2.5 inch color LCD. However, I rarely use this. It takes up more battery power, and you can't see it when there's sunlight. I love the audio controls, and how it's not only stereo microphone, but you can control the levels of your left and right audio, right there, on the camera. I love to convert analogue video into digitial video, and it's almost too easy using the GL2. It's great for getting your older stuff into a digital format, and being able to easily get it onto your computer.

What's bad about it? Really not a whole lot. The 1.7-megapixel photo mode is really uneeded. 1.7-megapixels really isn't that good. The included 8MB card for these pictures isn't enough. If you're going to want to take digital pictures, then get a digital still camera, and don't use the GL2 as a still camera.

But I can't stress enough that if you aren't going to use this for more professional projects, then you really shouldn't get this camera.

I have been using the GL1 for nearly 3 years now. I take it out on shoots for a website I work on... sometimes I create QuickTime Movies, sometimes I take stills from footage and convert the stills to .JPG files.

The 30-lux capacity means you can walk into a subdued lighting environment such as a dining room lit by a single candle and get very good, balanced exposure. It is not like an infrared camera or anything, however... there must be SOME non infrared light, or you get nothing.

The 30x zoom can't be beat. You can be 50 yards away from a person and zoom in and get a shot of their nose... in many ways, it must be seen to be appreciated.

Considering the features, the unit is light-weight, but newer digital camcorders of similar strengths are now on the market for far less and weigh half as much. Still, the GL1 is easy to hold with one hand while using the eye piece or the LCD panel.

I only have a few criticisms. For one, the unit does not ship with a firewire cable. If you are ordering this item for its firewire compatibility, you will need to order a 6-to-4 pin firewire cable separately. (6-pin for your Mac, 4-pin for the GL1).

Also, the GL1 has a tendency to eat tapes. For a while, I thought I was just getting deffective tapes, but a co-worker got a DV deck and the deck was able to view and use the tapes without difficulty. Just viewing the tapes on the DV deck seemed to "fix" whatever the GL1 perceive was wrong with the tapes. On occasion I will get an all red "WARNING: EJECT TAPE" display on the LCD panel... I then eject the tape, rewind it a bit on the DV deck and then I can use it fine for several weeks w/ the GL1. This has been a problem from day one and I have head-cleaning tapes.

The unit has a tripod screw mount on the bottom and a hot shoe on top, so it's a good piece of hardware for professionals.

The battery that ships with the unit will only run for about 30 minutes on a full charge... but that's 30 minutes of actual recording, rewinding, etc. I highly recommend getting an additional 2 hour battery as back-up, especially if you're stuck somewhere and don't have the luxury of having an AC wall socket nearby. You can run the camera straight off AC power, but it is awkward... you must run the cord from the GL1 to the charger and the charger is then plugged into the wall. This extra cord does not come with the unit and you must buy it separately. It would have been nice if they had included this cord as well as a DC charger for the car.

Back when I was ordering this item, I spoke with Canon directly to ask them information about the firewire capabilities, etc. Afer speaking to a customer service rep. for over 1 hour, it was obvious that the folks answering the phones for Canon absolutely know NOTHING about their own products or terminology used in photography or videography... if the answers are not in the little book in front of them, they are worse than uninformed... they tell you the wrong information. If you want more information about the features of this camera, seriously examine the specs featured here on Amazon and read all of the reviews.

I bought this camera about 10 months back, and at the time made a compromise in choosing it because I couldn't afford the XL1S. What I've learned though after using it for so long now is that Canon didn't compromise on this camera. The GL1 has essentially every feature the aspiring film maker or video professional needs to get underway quickly and easily.

My favorite feature of this camera is the frame mode ability that allows you to shoot non-interlaced video, with results that are very similar in appearance to film rather than video. After shooting in frame mode and seeing the results, I've yet to shoot interlaced video again.

The one thing that this camera lacks is any ability to manually control the audio levels for the internal or external mics, which can sometimes give you less than optimal results in situations where the noise volume fluctuates noticably, or where you are trying to achieve a specific audio effect.

Summary - Excellent camera worth the price tag. Across the board, far more features and better quality than all competitors in its class. Probabaly the only camera that can top the GL1 in this class is the GL2.

First, the visceral. The image quality is stunning, and the creative license and possibilities afforded through DV are staggering. With a GL1 and a good NLE like Premiere, the only limit is your creativity. Effects that just a few years ago started at tens of thousands of dollars on film can now be rendered realtime.

Now the practical. I spent a fair bit of time looking through the market at the 'low pro' end. Canon's GL1 and XL1 were clearly in the running, as were several Sony products. What finally sold me on the GL1 was the flourite lens, which to my eye has a noticeably brighter image, as well as the optical image stabilization, which provides a more natural looking view also. I have to say that I find the manual zoom feature useless as it's a servo controlled focus rate, and very difficult to 'stop' in a slow focus. I've found that using the 'automatic/manual' focus switch to allow the camera to bring the subject into focus, then switching immediately to 'manual' to lock the focus is very effective as a workaround. The only time this doesn't work well is at the limit of either the optical focus or the digital focus when the subject is poorly defined versus its background. In these situations, the rangefinding system seems to 'hunt', giving a nauseating soft in/out blur. Truthfully, using the camera under these cirucumstances is rare, and this is the only criticism I've got for the system. An often overlooked feature of DV is that the audio quality is about the same as CD, and is digital. This means that even your home movies now have DAT audio quality! Despite many comments to the contrary, I've been very favourably impressed with the quality of the audio, including the stereo separation.

I also mentioned the XL1, but the only difference I could see was perhaps better audio, and for the considerable extra expense and size, it wasn't a good tradeoff for me.

This has been one of the greatest cameras until...problems...And I have two of them! On fast re-wind they will sometimes destroy the tape. On both, I only re-wind on slow rewind. Now one will not accept a tape at all. I think someone rewound on fast and hurt the mechanism somehow. A call to Cannon did not admit that they have problems. Still trying to determine cost to fix...if possible. I am reading others on internet with Elura 40 which is similar and they are having problems with totally destroying the tape and $600 to repair??????

To be somewhat fair, I use mine with a helmet camera, carrying the camcorder on my chest. I have not crashed on it but it is not a perfect lifestyle. As a back-up, I bought another... Almost out of the box I had the rewind problems. I could live with those...until now! Changing brands of tapes made no difference.

I use the picture MMC side alot, but remember that it is only 2.0 megpixles and can't take much blowing up. But the pictures are e-mail friendly. The digital zoom is AWSOME!

Other than Tape problems, where you can loose everything, a great camera! 5 stars and falling fast!

This Canon Elura is the best camera iv'e seen my whole life from Canon. Its good quality pixels is so much better than the sony brand, and its small size and new mini-DV ability is sumething everyone needs to get out of the dark age of cameras!

I need an Adapter ( power adapter) for CANON MV20 ( Canon DM-MV20E , it writes on the battery spot ). My cam is same as ELURA but the difference is that MV20 is" PAL System " and ELURA is on " NTSC System ". I guess that Power Adapter would be same for both types.If someone knows where could I find a product please let me know. Camera is perfect, no doubt.

We purchased the Elura 65 for our new baby who is due in one month. This camera is small and sleek with a very nice look to it. We just received it a few days ago and have done several tests in different lighting. The quality is BEAUTIFUL outdoors and indoors with the lights on or with the natural sunlight coming in. However, the picture was very dark and grainy when we filmed at a wedding the other night. Keep in mind that the lighting in the place was very dim...there was little to no light. I've done a lot of research on Mini DV camcorders recently and I've yet to see one that takes good pictures in low light areas. I'm wondering if there is an external light that I can purchase for my new camera. This is not reason enough to return the camera, since the reviews on all the other brands and models state the same problem. I just think it's something that needs to be fine-tuned on ALL mini DV cameras in general.

The 16x optical zoom is fabulous on this camera and there is NO motor noise (or at least none that we can hear) as the Canon ZR models claim to have.

One drawback which MAY be a problem is that since this camera is so small (smaller in height than the Canon ZR models), it seems like it can be hard to hold steady...but I'm hoping that's where the image stabilization will come in.

Overall, it's a great little camera!

I bought my Elura 40MC 1.5 years ago. For the first year it worked fine. However, after the warranty ran out I began to have the notorious "tape eating problem" that everyone is talking about. I would steer clear of this product since Canon is reluctant to do anything about it.

I bought this camcorder for a trip to Europe and I love it. I could store it in my jacket pocket when not using it and didn't have to drag around a huge bag with a bunch of useless equipment. This is my first camcorder (and first camera since an old Olympus 35mm), so I'm clearly an amateur. It's got more features than I'll use in 2 lifetimes, so there should be enough to satisfy almost everyone.

Video--is excellent, especially outdoors. Weather doesn't matter, as long as it's outside. It was cloudy all but one day and the video is awesome. Indoor is grainy if the light is too low, but reading reviews of other camcorders, I couldn't find one which said "great video quality indoors." All are grainy indoors. Live with it. You buy this for the size.

Still Pix--are not great. But are you buying a camcorder or camera? If all you care about are still pix, save yourself a few hundred bucks and buy a still-camera. No small camcorder offers a 4 or 5 megapixel resolution with stills. Even the Sony MicroDV only offers 2MP still resolution. With the exposure set to "super fine" I was pleased with the resolution, but I've seen pictures from a 4 MP still camera, and the images don't compare. The pix are not bad, but not excellent. But then, I care about video...not pictures--it's a camcorder afterall.

Sound--I think is great. Yea, there is the motor whine when it's quiet. But guess what, after a few seconds, you tune it out and forget about it. It is not very annoying at all. It does tend to amplify the voice of whomever is doing the recording. But what microphone doesn't amplify the sound closest to it?

SD/MMC card--is only tested by Canon to 64MB (per customer service) which is bad. They recommend not using anything higher than 64.

Battery--doesn't last too long, especially the smaller one. I forked over the money to buy the larger battery and it is well worth it. This way, when it runs down, you pop in the small one and you have another 30-50min of filming.

Ease of Use--I had filmed some items and was watching it on TV within 20 minutes of taking it out of the box. I had the still camera and fader/digital effects figured out within another 20 minutes or so. You must read the manual. It's real easy.

Buttons--are not small considering the size of the camcorder. If you need bigger buttons, buy a bigger camcorder. Remember, you buy this for the size.

Overall--it is great. Fantastic outdoor video and sound pickup with unbelievable portability and ease of use. This is not a "professional" camcorder. It should be used for "hobby" filming and as a great travel-size camcorder. If you need more bells and whistles (external mic mount, attached light) you need a bigger camera. As far as the "save yourself the trouble and buy a Sony" crowd, I've owned many Sony products and find they don't perform any better than anything else. But Sony always seems to want a few hundred more of your hard earned dollars to make you think their product is better. Ask someone about software compatability with their MicroDV camcorder...then watch 'em squirm.

Armed with lots of research and my wife's two criteria for selecting a camcorder (it had to be small and easy to use) we bought the Elura MC 40 for its list of features in a very small and very cool package -- plus the canon quality. This one has all the features of a full-sized DV cam, but fits into a small, padded waist pack with a couple of tapes, batteries, and the charger without a problem. This was key as we are expecting our first child and didn't want to add too much to the extra baggage we'll be carrying.

This one doesn't have megapixel stills at 1020x960, but it's still tons better than 640x480 on most compact cams, and we have a 35mm for the serious photography anyway. Lots of great on-camera editing and shooting features, and some basic photo and movie editing software included. If you're going to do some serious movie editing, I'd recommend purchasing a better software package or taking advantage of one of Canon's mail-in rebate deals.

Mac users, you'll love this one. We had a pre-USB Powerbook running OS 8.6 and bought USB and Firewire PCMCIA cards for it. It runs just great without spending the extra cash upgrading the OS like the card manufacturers say to. Also, I wouldn't spend the extra cash on the expensive firewire cards that a Mac specific. I picked up an inexpensive IBM card [$$] at the local computer store, plugged it in, downloaded the supporting drivers from Apple, and it fired right up.

You will have a lot of fun with this cam. We took it out for the first time on July 4th, and everyone was amazed by it. Plugged it into the S-video on the nearest TV, and we had a great time watching the day's events!